Mozart - Piano Concerto No. 25 in C major, K503
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Mozart: Piano Concertos Nos. 20 & 25
RecommendedMartha Argerich (piano)
Orchestra Mozart, Claudio Abbado
Thi is a really fine performance [of K503], with impeccably judged tempos in all three movements, and great playing from the Orchestra Mozart...[in the D minor Concerto] Argerich's playing is... — More…
Awards:
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BBC Music Magazine, April 2014, Disc of the month
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Gramophone Magazine, March 2014, Editor's Choice
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Presto Recordings of the Year, Finalist 2014
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Building A Library, January 2022, Recommended Recording - K466
CD
$15.25 -
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Offer,
Mozart - The Great Piano Concertos, Volume 2 RecommendedAlfred Brendel (piano)
Academy of St Martin in the Fields, Neville Marriner
Awards:
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Gramophone Awards, 1977, Winner - Concerto
2 CDs
$13.75Downloads
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Mozart: Piano Concertos Nos. 25 & 26
RecommendedFrancesco Piemontesi (piano)
Scottish Chamber Orchestra, Andrew Manze
Piemontesi’s playing is mostly magnificent, with crystalline clarity, radiant tone and eloquent phrasing. In the fine and intriguing cadenzas, he shines with surety of purpose — More…
Awards:
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Presto Recording of the Week, 11th August 2017
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Gramophone Magazine, September 2017, Editor's Choice
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Presto Recordings of the Year, Winner 2017
CD
$16.75Downloads
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Mozart & Haydn - Complete Concerto Recordings (1933-1947)
RecommendedEdwin Fischer (piano)
London Philharmonic Orchestra, Unnamed Orchestra, Edwin Fischer Chamber Orchestra, Philharmonia Orchestra, Vienna Philharmonic Orchestra, Edwin Fischer (conducted from piano), John Barbirolli, Lawrance Collingwood, Josef Krips
...you will hear a delectably light-fingered virtuosity...combined with a poetic commitment rare in today's chaotic musical marketplace...APR's transfers are admirable and all three discs are... — More…
Awards:
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Building A Library, January 2022, Also Recommended - K466
3 CDs
$22.75Downloads
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Two of Mozart’s biggest and best-loved concertos…receive performances here that are in many ways exemplary. Piotr Anderszewski’s pianism feels splendidly effortless: there’s gorgeous legato,... — More…
Awards:
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Gramophone Magazine, February 2018, Editor's Choice
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Gramophone Awards, 2018, Finalist - Concerto
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The Times Records of the Year, 2018
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Limelight Magazine Recordings of the Year, 2018, Nominated - Orchestral
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Martha Argerich & Friends: Live from the Lugano Festival 2012
RecommendedMaria João Pires (piano), Martha Argerich (piano), Gautier Capuçon (cello), Lily Maisky (piano), Sascha Maisky (violin), Lyda Chen (viola), Mischa Maisky (cello), Nicholas Angelich (piano), Polina Leschenko (piano), Ilya Gringolts (violin), Nathan Braude (viola), Torleif Thedéen (cello), Nelson Goerner...
Several of the ensembles could have benefited from more sustained period of rehearsal, yet they still communicate vibrancy and the sheer enjoyment possible when fine musicians get together to... — More…
Awards:
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Presto Recording of the Week, 13th May 2013
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Gramophone Magazine, August 2013, Editor's Choice
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Gramophone Awards, 2014, Shortlisted - Chamber
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Mozart: Piano Concertos, Volume 7
Jean-Efflam Bavouzet (piano), Manchester Camerata, Gábor Takács-Nagy
Bavouzet uses a modern concert grand, with the orchestra avoiding excessive vibrato but otherwise playing in today’s mellow-toned instrumental style. The superlative collective result shows... — More…
CD
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Mozart concertos from the keyboard are unbeatable. There's a rightness, an effortlessness, about doing them this way that makes for heightened enjoyment. So many of them seem to gain in vividness... — More…
Awards:
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Gramophone Awards, 1984, Winner - Concerto
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Penguin Guide, Rosette
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Offer,
Mozart Live 1978 Jessye Norman (soprano), Hugh Maguire (violin), Alfred Brendel (piano)
Academy of St. Martin in the Fields, Neville Marriner
With Jessye Norman somewhere near her vocal and theatrical best [in Non temer], and lovely solo playing from Hugh Maguire, Marriner’s former colleague and leader at the LSO, this is well worth... — More…
Awards:
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Gramophone Magazine, September 2018, Reissue/Archive of the Month
2 CDs
Original price ($16.50) Reduced price $12.25Downloads
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this album – the fourth in a series from Bezuidenhout and the Freiburger Barockorchester – is brightly and engagingly played. — More…
CD
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