Fauré - Automne, Op. 18 No. 3

He is a stylish, cultured performer and is as fine an advocate for Fauré’s mélodies as any of the best. Recommended for those who love indulging in French song at its finest. — Gramophone Magazine, August 2022 More…

The qualities one values so much in Degout’s Fauré – the integration of text and line, his almost instinctive use of colour and dynamics, the uncompromising directness of expression – are those... — Gramophone Magazine, May 2019 More…

Maeder can certainly turn on the charm but never goes coy, sings always with accuracy, purity and freshness, and articulates very clearly. She is also very fortunate in her accompanist. Gerard... — International Record Review, November 2011 More…

Philippe Jaroussky has a wide pitch range and absolute control throughout, with no tenseness at the top of hooting at the bottom, and his floated high notes are ravishing. Jérôme Ducros's accompanying... — BBC Music Magazine, April 2009, 4 out of 5 stars More…

There's a high standard of singing throughout and… Geraldine McGreevy offers delicacy, shape and direction, combined with an intelligent variety of tone, and Christopher Maltman's more forthright... — BBC Music Magazine, May 2005, 4 out of 5 stars More…

The other find of the evening was Carlo Colombara, a bass making his New York debut as Mocenigo. Mr. Colombara's sound is deep and rounded, and he projected Mocenigo's malign character powerfully... — New York Times More…