Ronald Brautigam Beethoven
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Awards:
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Building a Library, February 2023, Recommended Recording - 'Appassionata'
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There are few early-instrument practitioners who can match Brautigam's music insight and technical prowess...there are no holds barred in his impressively passionate account of Op. 111's opening... — More…
Awards:
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Presto Recording of the Week, 28th June 2010
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Building a Library, July 2013, First Choice
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They are virtuoso works, and Ronald Brautigam, who tends to favour quick tempos, plays them in genuine virtuoso style, but without ever failing to bring out the music's more expressive moments...A... — More…
Awards:
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Gramophone Magazine, July 2012, Editor's Choice
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[Brautigam's] tempos in the outer movements are tremendously fast, and for the intervening episodes of the Waldstein's ronda finale, with their dizzying cascades of semiquaver triplets, he accelerates... — More…
Awards:
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Gramophone Magazine, December 2008, Editor's Choice
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Building a Library, February 2023, Recommended Recording - 'Appassionata'
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Beethoven - Complete Works for Solo Piano Volume 12 Variations (II)
Ronald Brautigam (fortepiano)
This instrument has a light tone and touch but is by no means limited in terms of dynamic range, and Ronald Brautigam performs even the least inspiring of these works with a conviction and... — More…
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Beethoven - Complete Works for Solo Piano Volume 14 Rule Britannia: Variations & Klavierstücke
Ronald Brautigam (fortepiano)
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Beethoven - Piano Concertos Nos. 1 & 3 Ronald Brautigam (piano)
Norrköping Symphony Orchestra, Andrew Parrott
…the playing is refreshingly alert throughout, with tempos noticeably on the fast side. — More…
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… a fine recital, and the most impressive instalment so far in Brautigam's Beethoven cycle. The warm-sounding reproduction Graf piano from around 1819 has been very well recorded. — More…
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Beethoven - Piano Concerto No. 5 & Choral Fantasia Ronald Brautigam (piano), Hannah Holgersson (soprano), Marie Olhans (mezzo-soprano), Maria Sanner (alto), Mikael Stenbaek (tenor), Gunnar Birgersson (baritone) & Ove Pettersson (bass)
Norrköping Symphony Orchestra, with Eric Ericson Chamber Choir, Andrew Parrott
The opening of the concerto is excellent: Parrott gets appropriately spacious playing from the orchestra, while the bell-like tone of Brautigam's instrument - a Steinway Model D - helps to prevent... — More…
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One advantage of a period instrument is the cleanness of its bass register - a particular boon in the Tempest Sonata… Brautigam's performances are well up to the standard of his previous releases,... — More…
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