Bach - Cantatas Volume 30 - BIS: BISSACD1471 - SACD or download

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Solo soprano and trumpet… have long made Bach's cantata 'Jauchzet Gott in allen Landen' a favourite with audiences. …this new performance with Carolyn Sampson and trumpeter Toshio Shimada is... — BBC Music Magazine, May 2006, 4 out of 5 stars More…

Release Date: 27th Feb 2006
Catalogue No: BISSACD1471
Label: BIS
Series: Suzuki Bach Cantatas
Length: 73 minutes

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Bach, J S: Cantata BWV51 'Jauchzet Gott in allen Landen'

Work length17:11

$5.00

$6.50

$8.75

Carolyn Sampson
Bach Collegium Japan
Masaaki Suzuki
Recorded: September 2005
Recording Venue: Kobe Shoin Women's University Chapel, Japan

Aria. Jauchzet Gott in allen Landen! (Soprano) [Version for voice and orchestra]

Track length4:33

$1.00

$1.30

$1.75

Recitative. Wir beten zu dem Tempel an (Soprano) [Version for voice and orchestra]

Track length2:22

$1.00

$1.30

$1.75

Aria. Hochster, mache deine Gute (Soprano) [Version for voice and orchestra]

Track length4:42

$1.00

$1.30

$1.75

Chorale. Sei Lob und Preis mit Ehren (Soprano) [Version for voice and orchestra]

Track length3:17

$1.00

$1.30

$1.75

Finale. Alleluja! (Soprano) [Version for voice and orchestra]

Track length2:17

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Bach, J S: Alles mit Gott und nichts ohn' ihn, BWV1127

Work length48:50

$12.00

$15.60

$21.00

Carolyn Sampson
Bach Collegium Japan
Masaaki Suzuki
Recorded: September 2005
Recording Venue: Kobe Shoin Women's University Chapel, Japan

Verse 1: Alles mit Gott und nichts ohn' ihn wird einher Wundersegen ziehn

Track length4:01

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$1.30

$1.75

Verse 2: Alles mit Gott und nichts ohn' ihn wird einher Jesus Segen ziehn

Track length3:58

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$1.30

$1.75

Verse 3: Alles mit Gott und nichts ohn' ihn wird einher Landessegen ziehn

Track length3:58

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$1.30

$1.75

Verse 4: Alles mit Gott und nichts ohn' ihn wird einher Himmelssegen ziehn

Track length3:59

$1.00

$1.30

$1.75

Verse 5: Alles mit Gott und nichts ohn' ihn wird einher edlen Segen ziehn

Track length4:05

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$1.75

Verse 6: Alles mit Gott und nichts ohn' ihn wird einher Lebens-Segen ziehn

Track length3:57

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Verse 7: Alles mit Gott und nichts ohn' ihn wird einher manchen Segen ziehn

Track length4:06

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Verse 8: Alles mit Gott und nichts ohn' ihn wird einher ew'gen Segen ziehn

Track length4:03

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$1.75

Verse 9: Alles mit Gott und nichts ohn' ihn wird einher reichen Segen ziehn

Track length4:03

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Verse 10: Alles mit Gott und nichts ohn' ihn wird einher neuen Segen ziehn

Track length4:06

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$1.30

$1.75

Verse 11: Alles mit Gott und nichts ohn' ihn wird einher Seelensegen ziehn

Track length4:04

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$1.30

$1.75

Verse 12: Alles mit Gott und nichts ohn' ihn wird einher tausend Segen ziehn

Track length4:30

$1.00

$1.30

$1.75

Excerpt, Bach, J S: Cantata BWV210 'O holder Tag, erwunschte Zeit' (Wedding Cantata)

Work length7:37

$1.50

$2.60

$3.50

Carolyn Sampson
Bach Collegium Japan
Masaaki Suzuki
Recorded: September 2005
Recording Venue: Kobe Shoin Women's University Chapel, Japan

O Holder Tag, erwunschte Zeit, BWV 210, "Wedding Cantata": Aria. Spielet, ihr beseelten Lieder (Soprano)

Track length7:37

$1.50

$2.60

$3.50

Reviews
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Reviews

May 2006

Solo soprano and trumpet… have long made Bach's cantata 'Jauchzet Gott in allen Landen' a favourite with audiences. …this new performance with Carolyn Sampson and trumpeter Toshio Shimada is likely to prove appealing. Sampson's voice has bell-like clarity and an expressive warmth which serves Bach's writing... uncommonly well.

2010

Of Bach's 12 sacred solo cantatas, Jauchzet Gott stands as a virtuoso concert piece without peer.
No other work – with the possible exception of the secular cantata O holder Tag – pushes the soprano voice to such dazzling limits of coloratura. While Bach is thought to have used the work for a Trinity Sunday, perhaps in 1730, its provenance would appear to lie in the same celebratory context as O holder Tag (an aria of which is included as a 'bonus' track here), where courtly entertainment and panegyric often encouraged Bach to impress a potentially influential audience.
Carolyn Sampson joins a notable and plentiful list of fine sopranos who have tackled the work on record. She sails through it with controlled authority, encouraged by Masaaki Suzuki's spacious approach to tempi until, that is, the Choral and Alleluja where she and the admirable solo trumpeter (Toshio Shimada) pick off each fiendish run with a brilliant, almost nonchalant ease. Still, this is not a performance where Suzuki seeks to liberate the musicians towards true exultance: perfection is all but achieved, but rather as a geometric proof than the kind of genuine uplift we get from Stich-Randall, Giebel or Stader. Sampson's performance still remains highly accomplished and her natural poetic instincts are wonderfully realised in the recitative 'Wir beten' and the delectable but slight Alles mit Gott. Suzuki presents all 12 verses in a 48-minute marathon which no manner of variation and embellishment can sustain: maybe it's rather too much of a good thing.

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