Choral, Locke (composer)
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Can be recommended without reservation … the wonderful By beauteous softness, from Queen Mary’s Birthday Ode of 1689, given this performance, I could quite easily listen to for ever … there’s... — More…
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A beautiful and effective set. — More…
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Choral blend and enunciation are immaculate, at their very best in Martin's Songs of Ariel…it's particularly good to see 'Let mine eyes run down with tears' among the more familiar numbers -... — More…
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Locke's five-part suite for the reconstituted royal wind band...it is performed here with nuanced shading and flawless technique...The aromatic tint of Westminster Abbey's bells and library... — More…
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Charivari Agréable [trans. 'pleasant tumult'] has carved something of a niche for itself in imaginative and well-thought-out programming. Its work is the fruit of both scholarly research and... — More…
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Favourite Baroque Classics
Nigel North (lute), Sally Jackson (bassoon), Lisa Beznosiuk (flute), Rebecca Miles (recorder), Stephen Keavy (trumpet), Katharina Arfken (oboe)
The Brandenburg Consort, Roy Goodman
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Tudor & Stuart Spirit
Music for Dancing and Dreaming
Sharon Lindo (recorder), Martin Souter (clavichord), Sara Stowe (soprano), Matthew Spring (lute), Martin Souter (organ), Martin Souter (harpsichord), Michelene Wandor, Martin Souter (virginals)
Concertare, The Brandenburg Consort, The King's Consort, Jonathan Wainwright, Roy Goodman, Robert...
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