SACD, Linn (label)
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Phantasm here offers the same flawless playing that has earned its members consistent, well-deserved accolades. Despite the brooding nature of the music, their sound is luminous and tempos are... — More…
Awards:
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Gramophone Magazine, August 2016, Editor's Choice
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Gramophone Awards, 2017, Winner - Early Music
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Building a Library, October 2017, First Choice
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Diapason d’Or de l’Année, 2017, Winner - Musique Ancienne
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Philippe Rogier: Music from the Missae Sex His Majestys Sagbutts and Cornetts & Magnificat, Philip Cave
The Council of Trent would have been pleased: with just two voices per part, and with clear diction and articulation from the members of Magnificat, the texts are generally easy to follow. The... — More…
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The subtle hues of the choir, an elite corps from Winchester Cathedrals, are particularly impressive in Byrd's Lamentation, a piece in which voicing gives the music its momentum. Yet the beauty... — More…
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Monteverdi: Il ritorno d'Ulisse in patria Fernando Guimarães (Ulisse), Jennifer Rivera (Penelope), Aaron Sheehan (Telemaco), Leah Wool (Minerva), Owen McIntosh (Giove), Abigail Nims (Melanto), Daniel Auchincloss (Eumaeus), Sonja DuToit Tengblad (Juno), Ulysses Thomas (Antinous) & Marc Molomot (Irus)
Boston Baroque, Martin Pearlman
The most impressive performance comes from Aaron Sheehan (as Ulisse's son Telemaco) whose light lyrical voice delivers the music with utter naturalness. — More…
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