SACD, Challenge Classics (label)

Not surprisingly, [the performances] are much in the same vein as in Vol. 1, which is to say bright and buoyant, with no tricks or surprises but plenty of energy and brilliance. Bonizzoni’s... — Gramophone Magazine, August 2019 More…

There is a pleasing quality to Fabio Bonizzoni’s first volume of Bach harpsichord concertos, which achieves the difficult task of combining subtle artifice and interpretative joie de vivre with... — Gramophone Magazine, September 2018 More…

The three concertos featured here and written between 1778 and 1779 exhibit a great deal of melodic charm, character and good humour, if not perhaps the greatest originality...Krigovský dazzles... — BBC Music Magazine, August 2022, 4 out of 5 stars (Performance) / 5 out of 5 stars (Recording) More…

Letzbor and Ars Antiqua Austria have certainly brought a distinctive new take on the concertos here, beginning with considerably slower tempos that we’re used to from period bands, and particularly... — Gramophone Magazine, February 2017 More…

Lamsma is a terrific player, with a beautiful, resilient sound, but at times that beauty is her handicap: she doesn’t do ugly or grim. — The Guardian, 11th May 2017, 3 out of 5 stars More…

Absolutely splendid playing from Liza Ferschtman…The Korngold…receives a fairly heart-on-sleeve interpretation, with extrovert and energetic qualities to balance any hint of excessive swoop…Ferschtman’s... — BBC Music Magazine, May 2018, 4 out of 5 stars More…

Liza Ferschtman proves a flexible soloist with an interpretation that is strongly emotional in the best sense. Her playing seems to focus first and foremost on colour, nuance and expression,... — BBC Music Magazine, June 2017, 4 out of 5 stars More…