SACD, Challenge Classics (label)

Not surprisingly, [the performances] are much in the same vein as in Vol. 1, which is to say bright and buoyant, with no tricks or surprises but plenty of energy and brilliance. Bonizzoni’s... — Gramophone Magazine, August 2019 More…

There is a pleasing quality to Fabio Bonizzoni’s first volume of Bach harpsichord concertos, which achieves the difficult task of combining subtle artifice and interpretative joie de vivre with... — Gramophone Magazine, September 2018 More…

The Pavans are played on virginals, the rest on harpsichord. The right decision, but Demeyere hits a bad snag in a closely miked recording that masks the differences in timbre between the instruments.... — Gramophone Magazine, May 2014 More…

Letzbor and Ars Antiqua Austria have certainly brought a distinctive new take on the concertos here, beginning with considerably slower tempos that we’re used to from period bands, and particularly... — Gramophone Magazine, February 2017 More…

Hekkema’s playing is, without any reservations or criticism, superb. He knows how to make his instruments speak the language of Bach, modernizing it with the special timbre of the saxophone... — Fanfare, Nov/Dec 2023 More…

The opening [Concerto Grosso] No 1 in G major establishes the character of these interpretations by Eduardo López Banzo's ensemble Al Ayre Español: the perfectly poised gait of the opening movement,... — The Independent, 14th July 2012, 3 out of 5 stars More…

The real star is the instrumental playing (how the dances swing!); and with less at stake, warmly stylish, The Love of Mars and Venus proves a delightful postscript. — BBC Music Magazine, February 2017, 3 out of 5 stars More…