SACD, Handel (composer)
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Handel: Messiah
RecommendedErin Wall (soprano), Elizabeth DeShong (mezzo-soprano), Andrew Staples (tenor), John Relyea (bass-baritone)
Toronto Mendelssohn Choir, Toronto Symphony Orchestra, Sir Andrew Davis
Astonishingly well controlled…the solo voices are rich and weighty…[the] flute provides a charming obbligato to ‘How beautiful are the feet’, while the tenor’s ‘Thy rebuke…’ is intensely moving…a... — More…
Awards:
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Presto Recording of the Week, 2nd December 2016
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BBC Music Magazine, January 2017, Choral & Song Choice
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Presto Recordings of the Year, Finalist 2016
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Grammy Awards, 60th Awards (2017), Nominee - Choral Performance
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Handel: Messiah Susan Gritton (soprano), Sara Mingardo (contralto), Mark Padmore (tenor), Alastair Miles (bass)
Tenebrae Choir, London Symphony Orchestra, Sir Colin Davis
Sir Colin Davis's way with Messiah, as recorded live at the Barbican last December, is old-fashioned by present-day standards. His soloists are all good. The Tenebrae Choir, with its thirty-odd... — More…
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Kožená’s dramatic and vocal powers are wonderfully displayed in Gasparini’s kaleidoscope aria ‘Ombre, cure, sospetti’ (with its unrestrained runs and the bursts of emotion in its recitative-like... — More…
Awards:
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International Classical Music Awards, 2019, Nominee - Baroque Vocal
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Opus Klassik Awards, 2020, Nominee - Female Singer of the Year
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CANTATA - yet can I hear... Handel, Vivaldi, and Bach
Bejun Mehta (countertenor)
Akademie fur Alte Musik Berlin
Mehta’s voice remains light and graceful, and his general ability to move around the small notes is only occasionally compromised by untidiness. The period-instrument orchestra’s flautist, Christoph... — More…
Awards:
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Presto Editor's Choice, March 2018
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Diapason d’Or, May 2018, Nouveauté
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Emma Kirkby… sings four solo cantatas… These showpieces make immense technical demands… But splendid though such displays are, it is her sense of characterisation which sets her apart. She... — More…
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The People Shall Hear! (Great Handel Choruses) Carolyn Sampson (soprano) & Robin Blaze (countertenor)
The Bach Choir & The English Concert, David Hill (direction)
The finely focused Bach Choir often sounds uncannily of almost chamber proportions, in 'The many rend the skies' (Alexander's Feast), and the wondering description of Christ's miracle in Handel's... — More…
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Handel's Last Prima Donna: Giulia Frasi in London
Ruby Hughes (soprano)
Orchestra of the Age of Enlightenment, Laurence Cummings
Ruby Hughes’s vocalism fits Frasi’s song perfectly…Cummings turns even the rawest musical material into gold…this disc is a treat, illuminating why Frasi and her music commanded a huge following. — More…
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Tine Thing Helseth - My Heart is Ever Present
Tine Thing Helseth (trumpet) & Isa Katharina Gericke (soprano)
Norwegian Chamber Orchestra, Elise Båtnes (leader/director)
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