SACD, Debussy (composer)
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Jean-Efflam Bavouzet plays Ravel, Debussy & Massenet
RecommendedJean-Efflam Bavouzet (piano)
BBC Symphony Orchestra, Yan Pascal Tortelier
[Bavouzet] turns in a performance of the Fantaisie that illuminates this uneven yet magical work like no other. As to the Ravel concertos, I have no hesitation in saying these are the greatest... — More…
Awards:
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Gramophone Awards, 2011, Winner - Concerto
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BBC Music Magazine Awards, 2012, Orchestral Award Winner
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The magic of Jansons's conducting with the orchestra of which he is chief conductor could not be more compelling. — More…
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A delightful and thoughtful debut disc from the Orsino Ensemble...Supplemented by Pavel Kolesnikov’s insightful pianism, the Orsinos draw on its core quintet of leading wind players. The entire... — More…
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Offer,
Debussy: Nocturnes, L. 91 & Other Orchestral Works Claude Delangle (alto saxophone), Gulnara Mashurova (harp)
Chamber Choir of Europe, Lan Shui
The textural smoothness works well in the outer Nocturnes (especially in “Sirènes,” where the Philharmonic Chamber Choir of Europe shares the same silkiness), while the central “Fétes” lacks... — More…
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Katherine Bryan plays Flute Concertos by Christopher Rouse and Jacques Ibert
Katherine Bryan (flute)
Royal Scottish National Orchestra, Jac van Steen
Bryan certainly has complete mastery of the [Rouse's] technical and expressive demands, as she does in Ibert's Concerto of 1933...Her playing of Debussy's Syrinx, the ne plus ultra of the solo... — More…
Awards:
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Gramophone Magazine, August 2013, Editor's Choice
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Summary Vol. Ii. - Miklos Perenyi
Miklos Perenyi (cello), Denes Varjon (piano), Concerto Budapest, Andras Keller
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The SACD sound is first-class and the booklet notes by both artists attractive, not least in drawing attention to the great artists of the past whose performances and arrangements are saluted... — More…
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Nielsen, Debussy & Francaix: Clarinet Concertos
Vladimir Soltan (clarinet)
Hamburg Symphoniker, José Luíz Gómez
[Soltan] holds his own in a pugnacious reading [of the Nielsen]. His sinewy tone suits this knotty work and his playing – scrupulously observed dynamics and precisely tongued staccatos – is... — More…
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Isserlis finds wonderful, darkly smouldering tone and line for Ravel's Two Melodies (originally for soprano voice) and the three Ernest Bloch pieces. He excels, too, in the busier idiom of Prokofiev's... — More…
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