SACD, Rachmaninoff (composer)
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If I were to sum up the special quality she brings then it would be her purity and directness. Take the Elgar title-piece, which comes without a hint of whimsy, coquettishness or vulnerability... — More…
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Highlights from Russian Opera - Volume 1
Chorus and Orchestra of The Bolshoi Theatrem Moscow, Alexander Vedernikov
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Offer,
Fröst & Friends: Encores Martin Fröst (clarinet) with Roland Pöntinen (piano), Malena Ernman (mezzo-soprano), Torleif Thedéen (cello), Christian Svarfvar (violin), Åsa Thedéen (violin), Göran Fröst (viola), Svante Henryson (cello/double bass), Hermann Stefánsson (clarinet) & Sölve Kingstedt (clarinet)
Obviously a must for clarinettists; but other performers, and listeners too, will enjoy this demonstration of what can be achieved with impeccable technique, a fertile imagination and a light... — More…
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Salon de Budapest
Thomas Albertus Irnberger (violin), Pavel Kašpar (piano), Brigitta Simon (soprano)
As an Austrian, Irnberger is to the manner born in these works. He knows how to make his violin moan, sob, and soar like any prímás worthy of that designation, although he still plays these... — More…
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Prokofiev: Symphony No. 1 in D major, Op. 25 'Classical', etc.
Polina Leschenko, Martha Argerich (pianos), Christian Poltera (cello), Roby Lakatos (violin)
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Showpieces & Encores
Alexander Zagorinsky (cello), Svetlana Stepchenko (viola), Oleg Sergeev (flute), Dmitry Khakamov (violin)
Moscow Chamber Orchestra, Constantine Orbelian