SACD
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Janáček: The Cunning Little Vixen, Sinfonietta
RecommendedLucy Crowe (Vixen), Gerald Finley (Forester), Sophia Burgos (Fox), Jan Martiník (Badger/Parson), Peter Hoare (Mosquito/Rooster/Schoolmaster), Hanno Müller-Brachmann (Harašta)
London Symphony Orchestra, London Symphony Chorus, Sir Simon Rattle
If this Vixen is good, the Sinfonietta is outstanding – arguably the best on disc, though you need to experience the work in a concert hall with the nine trumpets blazing. They’re supremely... — More…
Awards:
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Presto Recording of the Week, 4th September 2020
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Gramophone Magazine, October 2020, Editor's Choice
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Presto Recordings of the Year, Finalist 2020
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Gramophone Magazine, Critics' Choice 2020
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The Times Records of the Year, 2020
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Grammy Awards, 64th Awards (2022), Nominee - Best Opera Recording
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Britten: Peter Grimes
RecommendedStuart Skelton (Grimes), Erin Wall (Ellen), Roderick Williams (Balstrode), Susan Bickley (Auntie), Catherine Wyn-Rogers (Mrs Sedley), Robert Murray (Bob Boles), James Gilchrist (Horace Adams), Marcus Farnsworth (Ned Keene)
Bergen Philharmonic Orchestra, Edward Gardner
The best feature of this new Grimes is the orchestral playing, similar in tempo and character to Britten’s own recording. Where Edward Gardner really scores is the Bergen Philharmonic’s precision,... — More…
Awards:
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Gramophone Magazine, October 2020, Recording of the Month
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Presto Editor's Choice, September 2020
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Presto Recordings of the Year, Finalist 2020
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Opera, November 2020, Disc of the Month
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The Times Records of the Year, 2020
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Gramophone Awards, 2021, Winner - Opera
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Gramophone Awards, 2021, Recording of the Year
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Janáček: Katya Kabanova
RecommendedAmanda Majeski (Katya), Katarina Dalayman (Kabanicha), Simon O'Neill (Boris), Andrew Staples (Tichon), Magdalena Kozená (Varvara), Ladislav Elgr (Kudrjas), Pavlo Hunka (Dikój)
London Symphony Orchestra & Chorus, Sir Simon Rattle
Rattle and his recording engineers have produced a Katya that sound s magnificent both in its attention to musical detail and in those sudden orchestral climaxes that seem to sweep nature itself... — More…
Awards:
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Presto Recording of the Week, 23rd February 2024
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Gramophone Magazine, March 2024, Recording of the Month
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Handel: Acis and Galatea
Lucy Crowe (Galatea), Allan Clayton (Acis), Benjamin Hulett (Damon), Jeremy Budd (Coridon) & Neal Davies (Polyphemus)
Early Opera Company, Christian Curnyn
Curnyn has hit on a secret that eluded previous interpreters of this work: it was conceived specifically to showcase the beauty of the English language…Channelling Handel’s enthusiasm, Curnyn... — More…
Awards:
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Record Review, 16th June 2018, Recording of the Week
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The Times Records of the Year, 2018
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BBC Music Magazine Awards, 2019, Finalist - Opera
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BBC Music Magazine Awards, 2019, Winner - Opera
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Bartók: Bluebeard's Castle RecommendedMika Kares (Bluebeard), Szilvia Vörös (Judith), Helsinki Philharmonic Orchestra, Susanna Mälkki
Both Kares and Vörös offer a subtle, understated approach…As well as conveying the piece’s taut structure and the orchestral writing’s sheer sweep, conductor Susanna Mälkki seeks out the detail... — More…
Awards:
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Gramophone Magazine, June 2021, Editor's Choice
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International Classical Music Awards, 2022, Nominated - Opera
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Grammy Awards, 64th Awards (2022), Nominee - Best Opera Recording
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Stravinsky: Oedipus Rex & Apollon Musagète
RecommendedJennifer Johnston (Jocasta), Stuart Skelton (Oedipus), Gidon Saks (Creon) & Fanny Ardant (narrator)
Gentlemen of the Monteverdi Choir & London Symphony Orchestra, Sir John Eliot Gardiner
Johnston's superb interpretation lifts the whole performance up a couple of notches...But John Eliot Gardiner's conducting somehow misses the work's elusive power. — More…
Awards:
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Presto Recording of the Week, 7th April 2014
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Building a Library, May 2018, Recommended Recording
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Handel: Amadigi di Gaula
Tim Mead (Amadigi), Mary Bevan (Melissa), Anna Dennis (Oriana), Hilary Summers (Dardano), Patrick Terry (Orgando), Early Opera Company, Christian Curnyn
Handel took a less-is-more approach to his Amadigi di Gaula. Christian Curnyn’s answering restraint reveals the stark solos, shimmering textures, ringing silences and stunning one-to-a-part... — More…
Awards:
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BBC Music Magazine, November 2022, Opera Choice
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Gramophone Magazine, November 2022, Editor's Choice
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International Classical Music Awards, 2023, Nominated - Baroque Vocal
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Gramophone Magazine, Critics' Choice 2022
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Verdi: La Traviata
Lisette Oropesa (Violetta), René Barbera (Alfredo Germont), Lester Lynch (Giorgio Germont), Dresdner Philharmonie, Daniel Oren
A lighter-voiced Violetta than many, leaning more towards the lyric than the dramatic, she sings with a consistent, shimmering beauty, effortless legato and an endearing sense of character...There... — More…
Awards:
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Presto Editor's Choice, May 2022
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International Classical Music Awards, 2023, Nominated - Opera
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Wagner: Das Rheingold George London (Wotan), Kirsten Flagstad (Fricka), Claire Watson (Freia), Set Svanholm (Loge), Waldemar Kmentt (Froh), Eberhard Wächter (Donner), Paul Kuen (Mime), Jean Madeira (Erda), Gustav Neidlinger (Alberich), Walter Kreppel (Fasolt), Kurt Böhme (Fafner)
Wiener Philharmoniker, Sir Georg...
I’m in no doubt that the sound quality is significantly better than Decca have been able to achieve on previous issues of this recording. There’s only one word for it: stunning. You really have... — More…
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Wagner: Der fliegende Holländer
RecommendedAlbert Dohmen (Der Holländer), Ricarda Merbeth (Senta), Matti Salminen (Daland), Robert Dean Smith (Erik), Silvia Hablowetz (Mary), Steve Davislim (Steuermann)
Rundfunkchor Berlin & Rundfunk-Sinfonieorchester Berlin, Marek Janowski
Janowski's conducting is crisp and fleet-footed, shaping the music naturally and fluently...[Dohmen] is a warm anti-hero, but too soft-grained to sound demonically desperate. Matti Salminen's... — More…
Awards:
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Presto Recording of the Week, 19th September 2011
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Gramophone Magazine, Awards Issue 2011, Editor's Choice
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