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Alain Trudel conducts with admirable restraint. The playing is clean and clear…Trudel's no-nonsense way with Respighi speaks volumes in the first set of Ancient Airs and Dances…best of all,... — More…
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Meine Seele
German Sacred Music
Matthew White (counter-tenor), Alexander Weimann (organ)
Tempo Rubato
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Human tragedy underpins this programme. Strauss’s elegiac Metamorphosen is paired with Pärt’s 2009 Symphony No. 4, an anti-Putin work. I Musici de Montréal throws itself into both the passionate... — More…
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Nuits blanches: Opera Arias at the Russian Court of the 18th Century Karina Gauvin (soprano)
Pacific Baroque Orchestra, Alexander Weimann
Gauvin’s Gluck is particularly classy...Of the vocal music by the Russians, Berezovsky’s is the more interesting, with two well-crafted arias from Demofoonte...The Pacific Baroque Orchestra... — More…
Awards:
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Presto Editor's Choice, April 2020
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Juno Awards, 2021, Nominated - Classical Album of the Year (Vocal or Choral)
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Fialkowska's canny combination of rhetorical splendour and individual exuberance is beguiling - this is not delicate, decorative Mozart...Fialkowska is at her invigorating best in the highly... — More…
Awards:
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BBC Music Magazine, May 2013, Chamber Choice
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Karina Gauvin: Prima Donna
Karina Gauvin (soprano)
Arion Baroque Orchestra, Alexander Weimann (director/harpsichord)
Her warm-timbred voice, impeccable intonation, athletic technique and tautly controlled vibrato are virtues ideally suited to the exacting musical demands of Baroque opera. She is furthermore... — More…
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Mozart: Opera & Concert Arias
Karina Gauvin (soprano), Benedetto Lupo (piano), André Moisan (basset-horn)
Les Violons du Roy, Bernard Labadie
the playing of the Quebec-based enseble, Les Violons du Roy, is lightly sprung, light-textured and with nothing ever over-pointed or over-urged...Gauvin is also a true soprano-lite...Lupo is... — More…
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