DVD Video, Strauss, R (composer)
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Offer,
Strauss, R: Elektra RecommendedEvelyn Herlitzius (Elektra), Waltraud Meier (Klytämnestra), Adrianne Pieczonka (Chrysothemis), Mikhail Petrenko (Orest), Tom Randle (Aegisth), Franz Mazura (Der Pfleger des Orest)
Coro Gulbenkian & Orchestre de Paris, Esa-Pekka Salonen
Herlitzius as the vengeful daughter is vocally tireless...Chereau exacts similarity intense, realistic performance from Adrianne Pieczonka as Chrysothemis...Other crucial elements in a total... — More…
Awards:
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BBC Music Magazine, September 2014, Opera Choice
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Gramophone Awards, 2015, Winner - Opera
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Diapason d’Or de l’Année, 2014, Winner - Opéra
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Strauss: Salome
Asmik Grigorian (Salome), John Daszak (Herod), Anna Maria Chiuri (Herodias), Gábor Bretz (Jokanaan), Julian Prégardien (Narraboth)
Wiener Philharmoniker, Franz Welser-Möst
Grigorian’s voice is on the lighter side of dramatic soprano, but it gleams from the mid-range to the top with a bright timbre that doesn’t grow shrill as it ascends. She uses her voice fearlessly—as... — More…
Awards:
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Gramophone Magazine, October 2019, DVD/Blu-ray of the Month
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International Classical Music Awards, 2020, Winner - Video Performance
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Gramophone Awards, 2020, Shortlisted - Opera
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Strauss: Elektra
Aušrinė Stundytė (Elektra), Asmik Grigorian (Chrysothemis), Tanja Ariane Baumgartner (Klytemnaestra), Michael Laurenz (Aegisth), Derek Welton (Orest)
Wiener Staatsoper, Franz Welser-Möst, Krzysztof Warlikowski
The playing, as one might expect, is matchless. Despite its eccentricities, I found the whole thing utterly compelling. Highly recommended. — More…
Awards:
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Gramophone Magazine, September 2021, DVD/Blu-ray of the Month
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International Classical Music Awards, 2022, Nominated - Video Performance
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In War & Peace - Harmony Through Music
Live from Gran Teatre del Liceu, Barcelona, June 2017
Joyce DiDonato (mezzo-soprano)
Il Pomo d'Oro, Maxim Emelyanychev
DiDonato sings with poise and elegance, a few pitchy notes above the stave notwithstanding; her sorrow and passion are clear to see and appreciate – it is an incredibly giving performance. Conductor... — More…
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Richard Strauss: Ariadne auf Naxos
Krassimira Stoyanova (Ariadne/Prima Donna), Sophie Koch (Komponist), Jessica Pratt (Zerbinetta), AJ Glueckert (Bacchus), Markus Werba (Ein Musiklehrer), Orchestra del Maggio Musicale Fiorentino, Daniele Gatti, Matthias Hartmann
Gatti conducts the score with evident affection, his account unrushed and expansive, moving in the Opera’s overture and achieving a noble sense of grandeur in the final minutes. — More…
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Strauss, R: Der Rosenkavalier
Krassimira Stoyanova (Marschallin), Sophie Koch (Octavian), Mojca Erdmann (Sophie), Wiebke Lehmkuhl (Annina), Günther Groissböck (Ochs), Adrian Eröd ( Faninal), Kresimir Spicer (Valzacchi), Stefan Pop (Italian Singer)
Wiener Philharmoniker, Franz Welser-Möst
Hooray for director Harry Kupfer!...[he] knows that Rosenkavalier is a supreme exercise in nostalgia...This is also Freud's Vienna. Stoyanova's Marschallin is a scrupulous analyst of her own... — More…
Awards:
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BBC Music Magazine, April 2015, Opera Choice
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Strauss, R: Ariadne auf Naxos
Soile Isokoski (Ariadne), Laura Claycomb (Zerbinetta), Sergey Skorokhodov (Bacchus), Thomas Allen (Music Master), Kate Lindsey (Composer)
London Philharmonic Orchestra, Vladimir Jurowski, Katharina Thoma
Ariadne and Bacchus have rarely been so 'absolutely human'. Soile Isokoski's suicidal patient rings truer than any heroine I've ever seen - and perhaps this is the role's most luminously sung... — More…
Awards:
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BBC Music Magazine, October 2014, Opera Choice
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Strauss, R: Der Rosenkavalier
Tara Erraught (Octavian), Kate Royal (The Marschallin), Teodora Gheorghiu (Sophie), Lars Woldt (Baron Ochs auf Lerchenau), Michael Kraus (Herr von Faninal), Miranda Keys (Marianne Leitmetzerin), Christopher Gillett (Valzacchi) & Helene Schneiderman (Annina)
London Philharmonic Orchestra...
As one would expect from Jones, there's much that is striking in the staging...The LPO play with considerable virtuosity for Robin Ticciati, whose reading is clean and unsentimental. Straussians... — More…
Awards:
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Opera, September 2015, Recording of the Month
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A Recital With Renée Fleming
Vienna At The Turn Of The 20th Century
Renée Fleming (soprano) & Maciej Pikulski (piano)
Fleming builds up a great sense of pathos in 'Um Mitternacht' and delivers a deeply affecting account of 'Ich bin der Welt abhanden gekommen' supported by some wonderfully sensitive phrasing... — More…
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Strauss, R: Die Frau ohne Schatten
Avgust Amonov (Emperor), Mlada Khudoley (Empress), Olga Savova (Nurse), Edem Umerov (Barak), Olga Sergeyeva (Barak's Wife)
Mariinsky Orchestra, Valery Gergiev (conductor) & Jonathan Kent (stage director)
Gergiev coaxes some magnificent playing from his Mariinsky orchestra...But it's [his] attention to detail that really counts with nothing smudged or generalised in his reading of the score...Best... — More…
