Grammy Awards, Berlioz (composer)
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Mirages
RecommendedOpera Arias & Songs
Sabine Devieilhe (soprano) & Alexandre Tharaud (piano)
Les Siècles, François-Xavier Roth
Devieilhe’s singing lights up the good, the bad and the music of Ambroise Thomas with her vivid, pure tone and apparently limitless breath. Alexandre Tharaud pops in as a sensitive piano partner;... — More…
Awards:
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Gramophone Awards, 2018, Finalist - Recital
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Presto Recordings of the Year, Finalist 2017
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BBC Music Magazine Awards, 2019, Finalist - Vocal
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Grammy Awards, 61st Awards (2019), Nominee - Classical Solo Vocal Album
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Presto Editor's Choice, November 2017
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Gramophone Magazine, December 2017, Editor's Choice
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BBC Music Magazine, January 2018, Opera Choice
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Berlioz: Symphonie fantastique; Overture Les francs-juges RecommendedChicago Symphony Chorus (chorus)
Sir Georg Solti
Awards:
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Grammy Awards, 17th Awards (1974), Best Engineered Album, Classical
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Grammy Awards, 17th Awards (1974), Best Orchestral Performance
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Grammy Awards, 17th Awards (1974), Classical Album of the Year
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Joyce DiDonato: Diva, Divo
RecommendedJoyce DiDonato (mezzo)
Orchestre et Choeur de L'Opéra National De Lyon, Kazushi Ono
Proof of DiDonato's consummate musicianship is everywhere here...For sheer beauty of tone, legato that defies gravity and singing that restores your faith in human nature, listen last of all... — More…
Awards:
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Gramophone Awards, 2011, Finalist - Recital
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Grammy Awards, 54th Awards (2011), Best Classical Solo Vocal Album
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BBC Music Magazine, April 2011, Opera Choice
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Opera, June 2011, Recording of the Month
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Berlioz: La Damnation de Faust RecommendedChicago Symphony Chorus (chorus), Malcolm King (bass), José van Dam (bass-baritone), Kenneth Riegel (tenor), Frederica von Stade (mezzo-soprano), José van Dam (bass), Glen Ellyn Children's Chorus (chorus)
Chorus, Sir Georg Solti
Awards:
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Grammy Awards, 25th Awards (1982), Best Choral Performance
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Berlioz: La Damnation de Faust, Op. 24
RecommendedNicolai Gedda, Jules Bastin, Josephine Veasey, Richard Van Allan, Gillian Knight
Ambrosian Singers, London Symphony Orchestra & Chorus, Sir Colin Davis
Awards:
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Building a Library, February 2018, Also Recommended
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Grammy Awards, 17th Awards (1974), Best Choral Performance
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Berlioz: Benvenuto Cellini
RecommendedNicolai Gedda, Jules Bastin, Robert Massard, Roger Soyer, Derk Blackwell, Robert Lloyd
Chorus of the Royal Opera House, BBC Symphony Orchestra, Sir Colin Davis
Awards:
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Grammy Awards, 15th Awards (1972), Best Opera Recording
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Berlioz: Les Troyens
RecommendedJon Vickers (Enée), Josephine Veasey (Didon), Berit Lindholm (Cassandre), Peter Glossop (Chorèbe, Le spectre de Chorèbe), Pierre Thau (Priam, Un soldat troyen, Mercure), Anthony Raffell (Panthée), David Lennox (Helenus), Anne Howells (Ascagne), Elizabeth Bainbridge (Hécube, Le spectre de Cassandre),...
Awards:
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Grammy Awards, 13th Awards (1970), Best Opera Recording
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Grammy Awards, 13th Awards (1970), Classical Album of the Year
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Berlioz: Les Troyens (highlights) RecommendedLakes, Voigt, Pollet
Chorus and Orchestra Montreal, Charles du Toit
Awards:
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Grammy Awards, 38th Awards (1995), Best Opera Recording
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Berlioz: Les Troyens RecommendedGary Lakes (Enée), Françoise Pollet (Didon), Gino Quilico (Chorèbe), Deborah Voigt (Cassandre), Michel Philippe (Panthée), Hélène Perraguin (Anna), Jean-Philippe Courtis (Narbale), Catherine Dubosc (Ascagne), John Mark Ainsley (Hylas), René Schirrer (Priam), Claudine Carlson (Hécube), Jean-Luc Maurette...
This is a thrilling set to have one marvelling afresh at the electric vitality of Berlioz's inspiration, and marvelling too that the formidable problems of recording so massive a work have been... — More…
Awards:
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Grammy Awards, 38th Awards (1995), Best Opera Recording
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Berlioz: Les Troyens RecommendedGary Lakes (Enée), Françoise Pollet (Didon), Gino Quilico (Chorèbe), Deborah Voigt (Cassandre), Michel Philippe (Panthée), Hélène Perraguin (Anna), Jean-Philippe Courtis (Narbale), Catherine Dubosc (Ascagne), John Mark Ainsley (Hylas), René Schirrer (Priam), Claudine Carlson (Hécube), Jean-Luc Maurette...
This is a thrilling set to have one marvelling afresh at the electric vitality of Berlioz's inspiration, and marvelling too that the formidable problems of recording so massive a work have been... — More…
Awards:
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Grammy Awards, 38th Awards (1995), Best Opera Recording
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