Analytical Essays on Music by Women Composers: Concert Music, 1900-1960
- Editor: Parsons, Laurel
- Editor: Ravenscroft, Brenda
Book
$96.00Out of stock at the UK distributor
Contents
- Acknowledgements
- About the Companion Website
- Chapter 1. Introduction
- Laurel Parsons and Brenda Ravenscroft
- Part 1. Music for Voice
- Chapter 2. Alma Mahler-Werfel, Licht in der Nacht (1901): Searching for the Light: Harmonic Cycles and Feedback Loops in Alma Mahler-Werfel's Licht in der Nacht
- Kenneth M. Smith
- Chapter 3. Rebecca Clarke, Tiger, Tiger (1933): Extended Tonality and Text-Setting in Rebecca Clarke's Tiger, Tiger
- Zachary Bernstein
- Chapter 4. Ethel Smyth, The Boatswain's Mate (1913-1914): A Wrinkle? Gender and Motive in Ethel Smyth's The Boatswain's Mate
- Rachel Lumsden
- Chapter 5. Ruth Crawford, Chants for Women's Chorus (1930): Not yet accepted as singing: Ruth Crawford's To An Angel from Chants for Women's Chorus
- Ellie M. Hisama
- Part 2. Instrumental Music
- Chapter 6. Florence B. Price, Piano Sonata in E minor (1932): Culture and Craft in Florence Price's Piano Sonata in E minor (First Movement)
- Horace J. Maxile, Jr.
- Chapter 7. Galina Ustvolskaya, Sonata for Violin and Piano (1952): Motivic Patterns, Repetition, and Formal Structures in Galina Ustvolskaya's Sonata for Violin and Piano
- Tim Sullivan
- Chapter 8. J. M. Beyer, String Quartet no. 2 (1933-34): Imagination and Method: J. M. Beyer's String Quartet no. 2
- Marguerite Boland
- Chapter 9. Peggy Glanville-Hicks, Sinfonia da Pacifica (1952-53): Avant-garde or Postmodern? The Melody-Rhythm Concept in Peggy Glanville-Hicks's Sinfonia da Pacifica
- Victoria Rogers
- Glossary
- Bibliography
- Index